I’ll Cry Tomorrow- Lillian Roth’s life had its share of tough times and Susan Hayward’s gritty performance would be aided by Alex North’s jazzy, modernistic score, which would help lead Susan's version of Lillian Roth out of the gutter and back into the spotlight. I’ll Cry Tomorrow is occasionally reminiscent of North’s own A Streetcar Named Desire with a smoldering intensity and beautiful pathos on several cuts. Star Susan Hayward sings beautifully on three songs, especially the title tune (lyrics by Johnny Mercer), which is so good I get chills whenever I hear it, especially the way she sings the line, "...who could say to a heart that is full of spring/they've written a blue song/for us to sing." Hayward also performs fine renditions of “The Vagabond King Waltz” and “Happiness is a Thing Called Joe”; a song I never liked until I heard Hayward sing it. North's underscore is moody, with swanky brass and sweeping strings, along with a "childhood waltz" from the character's happier times. Cues like “Ashamed”; “String Chord/Reel Heel”; and “Stood Up/Shattered/Tortured” are the highlights, bringing Roth’s true story to life. North was reaching a career peak in 1955 and his star was still ascending.
Lust For Life- Miklos Rózsa's music for the 1956 Vincent Van Gogh biopic has long been a favorite and it’s music that evokes the vivid colors of the artist's work. In fact, much of the score recalls spring and the fields in which Van Gogh worked. Rózsa also excels at revealing Van Gogh’s torment. Even those who haven’t seen the movie or have the slightest knowledge of the painter can follow his short-happy life through Rózsa’ s music.