Saturday, December 13, 2008

In Memoriam: Van Johnson


Whenever I think of Van Johnson, his performance in The Caine Mutiny comes to mind. It was his part as the lieutenant who leads the crew against Humphrey Bogart's neurotic Captain Queeg that caught my attention. Johnson came off as so heroic and embodied the "regular Joe" role he did so well. That performance alone convinced me that Johnson was a fine actor, and I routinely came to his defense among those who would dismiss him as a mere MGM studio fabrication. Offscreen, Johnson endured a near-fatal accident which would have ended his career, to say nothing of his life. It's fascinating, gripping, and worthy of a film of its own.


In 1942, Johnson was driving to a screening of the Tracy-Hepburn film, Keeper of the Flame when another driver came from the opposite direction toward him and forced his car off the road. Johnson's convertible rolled over several times before crashing into a ditch. Johnson was still conscious, but realized that the convertible's top had sliced the top of his skull. His head was nearly severed across the skull, and was kept only in place by skin and hair. The rollover also put dirt and debris into his head cavity, right on Johnson's exposed brain. A passing motorist hailed an ambulance and police, and when they arrived, they informed Johnson that they could not help him because his accident had come a few feet outside of their jurisdictional boundary! The medics actually asked him to crawl across the boundary so they could take him to the hospital. Johnson proceeded to drag himself across the street and he was finally taken to the hospital. The film Johnson had been working on, A Guy Named Joe, had its production delayed on Louis B. Mayer's order while Johnson recuperated. Of course, Van Johnson subsequently emerged as a popular leading man throughout the 1940s and 1950s, and lived a very long life, dying yesterday at age 92.

Selected Filmography:

Friday, December 12, 2008

Wanted: Movie Star Biographies

Recently, I acquired two movie star biographies published in the mid-1970s, when there was a renewed fascination with the Golden Age of Hollywood: Vivien Leigh: a Biography by Anne Edwards and Long Live the King by Lynn Tornabene, a Clark Gable bio. The Gable book lacks a filmography and nothing is mentioned of Gable's affair and illegitimate child with Loretta Young, which is understandable given that the child's existence wasn't known at the time of the book’s publication. I’ll admit I bought the book more for its sections on Carole Lombard, and those are in fact interesting, but I get the sense that the author didn’t like Lombard. The Leigh book disappoints because of the strict emphasis on Leigh herself, and I like to get a feeling for the era in which the star lived. It would have been nice to know of Leigh’s working relationship with Warren Beatty in The Roman Spring of Mrs. Stone, but Beatty is only mentioned once in the entire book!

I'll Cry Today: Susan Hayward has yet to receive a first-rate biography


Those two disappointing bios made me realize how many Golden Age movie stars don’t have decent biographies in print. In searching for books on my favorite performers, I realized that the majority of the stars I love aren’t represented with a recent, decent, in-print biography. Some notable examples:


Susan Hayward- I’m currently obsessed with her, and my M.O. is to absorb everything I can on my current fascination, but there’s very little on her life and career out there. Even the all-knowing, error-free Wikipedia only has a brief entry on her. I’ve gotten a few good Hayward anecdotes from other stars’ biographies, and that’s all.

William Powell- No wonder one of MGM's leading lights is largely unknown by the general public today: no biography! It would be fascinating to read behind-the-scenes stories of the Thin Man movies, and the tough time Powell had during 1937-38, when fiancĂ© Jean Harlow died and Powell himself battled cancer, keeping him out of movies (watch the Another Thin Man trailer; MGM emblazons the bottom of the screen with “Welcome Back, Bill!” a reference to Powell’s extended absence).

Carole Lombard- The “Hoosier Tornado” needs a full-scale biography. Lombard was not just married to Clark Gable, but a dedicated American patriot, swore like a sailor, and died young in a plane crash. A new bio on her should address whether or not she was rushing back home because she believed Gable was carrying on an affair with Lana Turner. Turner denied this, I’m not sure if it is true, but the myth persists.

Dana Andrews- Andrews was another popular leading man with personal struggles, and for my money, the personification (for better or worse) of the WWII-era American male. A career overview would be great, and the good movie star biographies excel at this.


That's just for starters. The list goes on and on. But since we’ve bemoaned the lack of prominent movie star biographies, a future entry will praise the better movie star books available. In the meantime, Raquelle at the always-interesting Out of the Past blog has posted an exhaustive list of currently available biographies.

Thursday, December 11, 2008

Backstage Beauties: 1956?

This striking image taken backstage at the 28th Academy Awards says it all: Audrey Hepburn and Grace Kelly were, as the song goes: "lovely to look at." The two Oscar-winning beauties were presenters that evening: Grace for Best Actor (Ernest Borgnine won), and Audrey handed out the big prize, Best Picture for 1955, Marty. The two actresses are so charismatic that it took me awhile to realize that there were actually other people in the room with them. That's star power.

UPDATE: After doing some additional fact checking last night in Mason Wiley and Damien Bona's Inside Oscar, I have to conclude that the LIFE magazine photo archive got the photo's date wrong...possibly. Their archive dates this photo March 21, 1956 but it's most likely March 30, 1955 when both women were up for Best Actress. Audrey Hepburn for Sabrina and Grace Kelly for The Country Girl. It also makes sense that the two women would be backstage together, as both were presenters in 1955: Kelly presented the Documentary awards and Hepburn the Story & Screenplay award. Both were presenters the next year at the 1956 Oscars-- Kelly was on hand to give the Best Actor award--but Audrey Hepburn appeared only on film, reading off the Best Picture nominees from London, according to Inside Oscar. If any Audrey Hepburn experts out there can confirm her whereabouts during that period, please chime in, as Hollywood Dreamland prides itself on getting its facts straight!

Sunday, December 7, 2008

The Katharine Hepburn Cultural Arts Center


It made my day when Ann from The Katharine Hepburn Cultural Arts Center commented on how much she enjoyed Hollywood Dreamland. There's even an entry at their site with a favorable review of our humble corner of the blogosphere:

"A blogger down in Florida writes about old Hollywood and he has several posts about Katharine Hepburn. His is called 'Hollywood Dreamland; Musings on the Golden Age of Hollywood.' This is right up our alley right?
He muses about “The Philadelphia Story,” “Holiday,” and one of Hepburn’s favorite directors, George Cukor.
“Hollywood Dreamland” is a fun blog for you to bookmark if you like the old days in Los Angeles."

I was impressed with the effort going into constructing "The Kate" in Old Saybrook, Connecticut. The KHCAC details the progress in the theater's construction and is scheduled to open in Summer, 2009.